Profile:
After studying design at Kyoto Institute of Technology and its graduate school, he worked as product designer at KEYENCE CORPORATION. He then engaged in research activities and in-house product development centered on digital fabrication at YOKOITO Inc.
In 2020, he established Shinkougeisha, incorporated in 2023.
He explores the nature of objects in the modern world at the interface between computers and the physical world, as created by digital fabrication. Born in 1989.

Summary:
As he was a very ordinary design student, he encountered 3D printers in the early days of reprap, and as he explored their uses, he became convinced that this was a "new craft. Eventually, he stopped calling himself a 'designer' and gave his own practice the name 'SHINKOGEI' and began operating as 'SHINKOGEISYA'.
At a time when resin, a material that symbolizes mass production, is finally transforming into a craft-like existence, we feel it is necessary to reexamine the role of the 'designer' profession, which is responsible for planning prior to mass production. This is also an activity to fundamentally reconsider and reconstruct what it means to 'making things' by looking back at the transition of Japanese crafts since the Meiji era and the origins of postwar design. The relationship between the body and technology, the connection between creation and labor, which has been lost due to the division of labor and systemization. This is an attempt to reconstruct them once again through the use of one's own hands and practices.